General Conditions



THE PRIMAVERA PIANISTICA COMPETITION (scroll down for more information about the course)
 

Purpose of the competition: The competition aims to select the participants who will perform in the official recitals of the Primavera Pianistica festival. These will take place on the 17th, 19th and 21st of March and are publicized in local media. There will be one Grand Prize, more information below.

Grand Prize Primavera Pianistica 2020: One participant will be awarded with the Grand Prix. This prize will consist of one recital in the Kastel D'Ursel Steinway series for the 2020/2021 season. The recital carries a cash award of 1000€ to be paid after the recital, and includes a one night stay in Het Laathof. However, the prize does not include travel arrangements and the winner must do his/her own travel arrangements to Hingene. An invitation can be sent if needed for Visa purposes. A second and third prize will be awarded, with their respective cash prizes.

Date of the competition: There will be two sessions: Monday 16th afternoon and Thursday 19th in the morning. Please note that any participant wishing to perform in the official recitals must compulsorily participate in one of these two dates of competition, otherwise participation in the official concerts will be denied.


Conditions: The competition is open to all students participating in the masterclasses, however, pianists wishing to participate in the competition must pay an extra fee of 35€ for administration costs. This fee is non-refundable in any case. There are no age restrictions.


Repertoire: Every participant must prepare three works: One virtuoso etude by F.Chopin, and two free choice works of contrasting characters/styles, The total timing of all works (including the etude) must not exceed 15 minutes, and the jury reserves the right to hear only part of these works. 

Jury: The jury will consist of our own piano faculty, which is comprised by teachers of international reknown. To know more about the faculty, please look it up on the "professors" section.

Application to the competition: To apply to the competition, simply include a blank paper together with your application form stating your names and the repertoire you have chosen to perform. You can send both by e-mail to primaverapianistica@gmail.com. Also, the fee of 35€ must be included together with the application money transfer. Any further inquires may be forwarded to the same e-mail address.


The Masterclasses

Application
The deadline for receiving applications, filled and signed, is February 15th, 2020.
As the number of participants is limited, applications will be processed in the order in which they arrive. You can find the application form at the bottom of this site. Applications have to be print out, filled in and sent by e-mail to primaverapianistica@gmail.com

Course dates
The lessons will begin on the morning of Monday 16th and will end on the afternoon of Saturday 21st. Students are encouraged to arrive on Sunday 15th and leave on Sunday 22nd to make the most out of our course.

Conditions of participation
There is no age limit for attending the master classes. If you are under 18, you must travel with an official permission stating that you are allowed to travel by yourself under your own responsability.
All costs, including travel, accomodation, as well as visa and health insurance arrangements are the responsability of the students. Official invitations for our course can be given upon request. Please note that the accommodation is for students only, therefore parents or guardians should look for accommodation elsewhere if they are to accompany a student to the course.

Concerts
During the course, 3 official concerts will take place in the Steinway grand piano of the Kasteel D'Ursel. These are publicized as part of the concert series of the Kasteel D'Urseel. To participate in these recitals, it is compulsory to participate in the piano competition. The professors of the Primavera Pianistica will select the students who will partipate in these official concerts during the piano competition held on Monday 16th and Thursday 19th of March. (note: students will not be offered remuneration for their participation in these concerts).

Furthermore, there will be two "unofficial" concerts on the 18th and 20th of March, in which any student can participate. Participation in these unofficial concerts is decided strictly in order of application. To apply, simply write an e-mail to primaverapianistica@gmail.com stating a free programme of no more than 10 minutes long. Repertoire is selected by the organization committee.

Practice facilities
Due to the remoteness of the location and limited amount of space, the practice facilities are limited to 5 clavinovas to be used with headphones, and 2 upright pianos which are used in turns by every student. In principle, every student has the right to practice 2 hours per day. If possible, more practice time will be allowed when time/space permits.

Lessons
Each student will receive 3 lessons, each one from a different professor. In the application form you can fill in your preferences, but the students-professor assignments will be processed in order of arrival of the application forms (the sooner you apply, the more chances you have of getting lessons with your main choices). Please name 5 professors of your choice and we will assign three of them according to the schedule possibilities. The schedule of the lessons will be sent by email to the students 1 week before the beginning of the course. All the lessons are open to active and passive students for listening.
The lesson rooms are all equipped with grand pianos in very good condition.

Course Fees
Active students (receive lessons): 500€ (including 200€ of application fee)
Passive students (assist all lessons but don't receive lesson): 300€ (including 200€ of application fee)
All costs, including travel, accomodation, as well as visa and health insurance arrangements are the responsability of the students
Piano competition 35€ administration fee, on top of the masterclass fee (both active and passive students may participate in the competition).

All application fees are Non Refundable
Up to 30 days before arrival there are no cancellation fees, except for the application fee.
Up to 15 days before arrival 50 % of the course fee plus application fee.
After 7 days there are 100 % cancellation fees.

Accommodation and Fees
The students will be hosted in a Youth Hostel, called Het Laathof, located in the proximity of the Kasteel d’Ursel. Prices include a bed in a shared room (of three or four people) and three meals per day during your stay.
The price for a full one week stay/meals is 250€ in total. For more detailed information, please write an e-mail to: consclau@gmail.com

*note: the accomodation must be paid in part together with the fee of the course to the Primavera Pianistica organization. Otherwise the student has to arrange his-her accomodation by him/herself.

Payments
The payment charges must be paid by the applicant.
Acount holder: OPUS ARTIS SPRL
IBAN: BE36 2100 8933 9981
BIC: GEBABEBB
It is possible to pay the whole amounts at once, or to pay a deposit of 200€ for the application fee plus 100€ for the accommodation, 300€ total. If the student participates in the piano competition, the total deposit must then be 335€. The rest of the fee must then be paid on the day of arrival at the Primavera Pianistica Office (located at the Het Laathof hostel).
The payments will be not refunded in case of cancellation.

Registration
Registration must happen immediately at arrival of the student. Here the rest of the fee will be paid (if applicable) and further information about the course, lessons and practice facilities will be explained. Also they keys to the rooms will be handed out upon registration.

Primavera Pianistica 2020
primaverapianistica@gmail.com

Professors


(scroll down for biographies)

AQUILES DELLE VIGNE

MARINA PLIASSOVA

AGATHE LEIMONI

MICHAEL WLADKOWSKI

PILAR VALERO

YUVAL ADMONY

MICHAL TAL

NADIR MATTEUCCI


BIOGRAPHIES

AQUILES DELLE VIGNE

"Only few pianists can go from a sparkling Mendelssohn to a thundering Liszt while passing an aristocratic, sophisticated and charming Ravel..." says Harold Schoenberg of the New York Times. The Italian newspaper La Repubblica calls him "A prince of the piano" and the PRS Rheinische Post "a Grand Seigneur of pianists". The SVZ Salzburger Volkszeitung titles its review "Von still bis stahlhart" (From silence till steel power).
Born in Argentina, Aquiles Delle Vigne gave his first recital at the age of 8. At 17 he was already a disciple of Claudio Arrau and won the prestigious Grand Prix "Albert Williams". This award opened the doors of the most important concert halls of the continent for him. Later, he completed his training in Europe with Prof. Eduardo del Pueyo and Georges Cziffra.
He accomplished more than 25 tournées in Japan, 10 in Australia, the United States of America, Mexico, Hong Kong, Korea, and all South America. Today he is invited to the most important Festivals and performs in the most important halls in the world, like Gstaad, Paris, Salzburg, Madrid, Euro Festival in Seoul, Beethoven Festival under Lord Yehudi Menuhin, Leopold Hager, Georges Octors, Alberto Lysy, Lee Dong-ho, Bogo Leskowitch, Vladimir Kim, Emiel Simon, Edvard R. Tchivtzel, André Vandernoot, Edgard Donneux, Kamen Goleminov, Juan Carlos Zorzi, Jesus Medina, Claudio Santoro, Henrique Morelenbaum, D. Marinescou, Laurent Petit-Girard, and with leading orchestras of the world.
Considered also as a top teacher in the world, Aquiles Delle Vigne gives Masterclasses at the International Sommerakademie Universität Mozarteum in Salzburg, was Visiting Professor at the Royal Northern College of Music in Manchester and Professor Extraordinaire of the National University in Taipei. He is also regularly invited at the Juilliard, Manhattan and Mannes Schools in New York, the Tchaikovsky Moscow Conservatory and the Korsakov Saint Petersburg Conservatory, the Central and China Conservatories of Beijing, the Toho University in Tokyo, the Hochschules in München, Karlsruhe and Hamburg, the Universities in Seoul, Sydney, Melbourne, Pretoria, Baltimore, Texas, Indiana, Osaka, Kyoto, Bangkok, Tel Aviv, Oslo, Lucca, Bergen...
He is a member or Chairman of the panel of Judges at the most important international Competitions on all five continents: Sydney, Pretoria, Cincinatti, Xiamen, Georgia, Turin, Paris, Texas, Casagrande, Masters in Monte-Carlo, Roma, and Warsaw.
His vast discography with EMI His Master's Voice, BASF Harmonia Mundi, BMG-RCA Victor, Naxos, Pavane and EMS received outstanding praise and distinction. His performance of the Preludes by Olivier Messiaen for the Pope John Paul II at the Vatican earned him tremendous praise from the composer.
Aquiles Delle Vigne just finished the complete recording of the 32 Piano Sonatas by Beethoven, added to other integrals like Liszt’s Etudes, Ravel’s chamber music and Beethoven’s Piano Concerti.


MARINA PLIASSOVA


Marina Pliassova is performing pianist, teacher and writer. Lives in Oslo. Marina Pliassova is teaching at the Barratt Due Institute of Music in Oslo: principal piano, chamber music and the History of Piano Art. She is the head of the piano Department of the school of  "Young Talents" at the Barratt Due music institute. Marina is a member of the Norwegian Non-fiction Writers and Translators Association.
Marina Pliassova was born in Irkutsk, Russia. She graduated from the Irkutsk College of Arts, and then the Novosibirsk Conservatory under Professors Natalia Nisvitzevich and Mark Shaviner. She is the first prize winner of the competition for teachers-performers in Russia (Krasnodar region) in 1990. In 1993 Marina got a job Norway in the Lofoten Islands as a teacher and frilans pianist.

From 1995, Marina worked at the Music Conservatory of  Northern Norway, a music gymnasium and music school in the city of Tromsø. Since 1998, Marina lives in Oslo and work at the Institute of  Barratt Due at the Department for Young Talents, she is the leder of the piano section.Among her students are about 120 winners of national and international competitions. Many of them are soloists-performers on an international level.

For about twenty five years of teaching in Norway Marina Pliassova has managed to create her own teaching methodology, successfully combining the traditions of classical Russian piano school and Scandinavian traditions that do not have such deep roots and classical regularity, but enriched this methodology in other, more democratic views on pedagogy.

In addition to teaching, Marina plays concerts, she is a member of the jury of some competitions as well as engaging in literary and scientific activity. She also regularly gives master classes in different countries: Greece, Bulgaria, Spania, Russia, Norway, Island. She is the lecturer in piano technique and the history of piano art.  She writes articles, gives lectures and master classes in various cities of Norway, Russia and abroad, and writes fiction as well.
MICHAEL WLADKOWSKI


Michael Wladkowski’s enthusiasm and artistic curiosity have led him to explore a repertoire spanning the works of Bach, Beethoven, Chopin and Debussy to works by Alkan and Szymanowski and on to works of contemporary composers such as Thon Tat Thiet, Antoine Tisné and Tolia Nikiprowetzky, who have dedicated major works to him.
This constantly expanding artistic horizon leads Wladkowski beyond the convention of classical performances to connect with audiences. His recitals combined with poetry read by members of the Comedie Française or his lecture recitals highlighting differences and similarities between the great classic works and contemporary works reveals his exploration of blurring genre boundaries.
Wladkowski’s pursuit of new challenges has led him to constantly expanding his horizon. Among his many recordings for Solstice, REM and Peyrole are the piano works of Karol Szymanowski, whose favorite pupil Piotr Perkowski, himself Wladkowski’s teacher, often remarked on the uncanny similarity between Wladkowski’s performance and that of the master.
Just as he has continually widened his artistic horizons, Wladkowski has ignored linguistic and cultural barriers. He studied in the United States, Poland and Austria and speaks fluent English, French, German, Polish, Russian, Hebrew and Italian.
In addition to his solo work, Wladkowski is an avid chamber music performer and has collaborated with many outstanding musicians including Laurent Korcia, Mark Varshawsky and the Kocian Quartet.
His performances the world over have been unanimously greeted with enthusiasm as Pierre Petit of “Le Figaro” noted “Wladkowski is remarkable, an authentic musician who posseses an immediate and splendid contact and who is brilliantly communicative”.
Wladkowski’s passion for the younger generation finds an outlet in his piano class at the Ecole Normale de Musique de Paris where his students include many prize winners of international piano competitions. He is equally in demand for master classes which find him regularly in all the european countries, Israel, U.S.A, Japan, Korea, China, Taiwan and Russia.
AGATHE LEIMONI

Agathe Leimoni is born in Athens. She obtained her Diplomas of Piano (class:Gerassimos Kakalis), Harmony, Counterpoint and Fugue (class:Andrea Carbone), with the highest distinctions in Greece and continued her musical studies in Italy, obtaining the Diploma of Piano (class: Luigi Mostacci, State Conservatory of Bologna).
She has been a student of Julia and Konstantin Ganev for several years.
She has attended the class of “Perfectionnement” at the “Ecole Normale de Musique” in Paris, for two years, with Germaine Mounier and Young Shin An.
Since her childhood, she has participated in many master classes of famous pianists who have commented her special musical nature, her brio and sensibility and received prizes and distinctions in various International Competitions.
She has given a lot of recitals in Europe (Greece, Italy, Germany, France, England, Bulgaria, Belgium, Austria and Rumania), in South and Central America (Uruguay, Argentina, Mexico), participating also in many important Festivals.
She has performed as a soloist in Greece, Italy, Bulgaria, Rumania and Uruguay with the Orchestras of Athens, Thessaloniki, Bologna, Napoli, Sliven, Arad, Russe, Sibiu and Montevideo. She has been a member of Jury in many National and International Musical Competitions, in Greece, Italy, Bulgaria and Rumania.

She is a piano Professor at the Hellenic Conservatory of Athens and at the ‘Romanos o Melodos’ Conservatory in Piraeus.

Since 2007 she is Professor at Schola Cantorum of Paris, where many of her students have graduated the last years, obtaining the superior Diplomas with the highest distinctions.

Since 2010 she is a regular Professor at the International Piano Academy of Belgium ”Primavera Pianistica”.

Since 2013 she has been nominated Visiting Professor at the Gnessin’s Music Academy of Moscow, starting a new artistic collaboration between the Russian Academy and the Helleneic Conservatory.
She has given master classes in Greece, Bulgaria, Italy, Spain, Belgium and South America with great success.
She has been teaching since the age of 16, and her successful pedagogical career has established her as one of the most promising professors of piano in Greece and abroad. She has been travelling with her students in many countries and has offered them the chance to experience many musical opportunities and international events. Her pupils have won many prizes in National and International Competitions and have been distinguished abroad.
She has been awarded the golden medal of UNESCO and a special Diploma as a honorary member of the ‘CH.O.N.’ Musical Association of Greece, for her unique teaching and artistic contribution.
She has been awarded the Golden Medal of the “Union of Bulgarian Musicians and Dancers” and she has been acclaimed as the best pedagogue in the International Music Competition “Music and Earth” – Sofia 2006, for her pupils’ success.
She has been presented as a soloist and professor several times by the radio and tv in Greece and abroad . She has been interviewed by various newspapers and channels and received very enthusiastic praise from journalists in Greece and abroad. She is Vice President of ‘CH.O.N.’ Musical Association of Greece.
She is the founder and Artistic Director of the ‘International Seiler Piano Competition – Rhodes 2004′, the ‘International Piano Festival- Rhodes 2004′, the ‘International Seiler Summer Piano Academy – Rhodes 2005′ ,the ‘International Seiler Piano Competition and Festival–Rethymno 2006′ and of the  International Summer Piano Academy and Festival of Poros since 2009.



YUVAL ADMONY

Pianist Yuval Admony (of the Kanazawa-Admony Piano Duo) teaches Piano Solo, Piano Duos and Chamber Music at the Tel Aviv Academy; The Mehta-Buchman School of Music in Tel Aviv University, Thelma Yellin Arts School, The Jerusalem Music Centre and leading Conservatories in Israel. Has been teaching master classes in The Tel Hai International Piano Master Classes in Israel, Primavera Pianistica Master Classes in Belgium, The World Piano Teachers Association in Novi Sad, Serbia, Poros Academy in Greece, Rimsky Korsakov Conservatory in St. Petersburg, Japan National Piano Teachers Association in Tokyo, Korean National University of Arts in Seoul, Norwegian National Academy of Music in Oslo and Pacific Rim Festival in the Vancouver Island. 

Mr. Admony is a jury member in National and International Competitions including The America - Israel Foundation, at Tel Aviv and Jerusalem Academies, The Tel Hai Master Course Concerto Competition, Qualified Musicians for the Israeli Defense Force, IBLA Grand Prize in Sicily, National Piano Duo Competitions, 'Duettissimo and Take Two, New immigrants' Competition and others. Serves as member of the Music Department in the Ministry of Culture in Israel. 

His students are prizewinners in national competitions and auditions such as the National Piano Duo Competition, The Giltter of the Baroque, Mozart Competition in Jerusalem and auditions to the Jerusalem Broadcast Orchestra. They participate in summer courses in Israel and abroad (Perugia Italy, Vlasti Greece, Castle D'Ursel Belgium, Poros Festival Gree, Euro Music Festival and Academy in Halle Germany and others). Directed for a decade the concert series: Around the Piano hosting leading musicians from Israel and abroad. In 2003 co-founded and was the Artistic Director of The 1st International Piano Duo Festival in Israel. 

The Kanazawa-Admony Piano Duo with Japanese wife Tami Kanazawa is the 1st prizewinner of  5 international piano duo competitions: 2008 Oslo Prize in Grieg Concours, 2005 Menuhin Gold Prize in Osaka International Competition, 2002 IBLA Grand Prize in Sicily, 2001 Rome Prize and 2000 Tokyo Competition. 
Recipients of The Israel Minister of Culture Award for an a Permanent Ensemble. They have been described in terms of: "heights of virtuosity and fantasy" [BNN Germany], "Astonishing coordination and refined musical taste" [Jerusalem Post], "real artistic sentiment" [Odessa Reporter].
Kanazawa-Admony toured Russia, Ukraine, Poland, Hungary, Czech, Albania, Bulgaria, Germany, Norway, Switzerland, Italy, Canada, USA, Cyprus, Israel, Korea and Japan.
Prestious halls they performed, include Carnegie Hall in New York, Argentina Theatre in Rome, Tokyo Metropolitan Festival Hall, Warsaw National Radio Hall, Budapest Congress Hall of the Odessa Philharmonic, Jerusalem Theatre and others. 
International festivals include the Budapest Spring Festival, Pacific Rim Festival in Canada, Klavierduo Festival in Germany, Odessa Dialogues. Asian Music Festival, Grieg Festival in Oslo, Flicja Blumental Festival, Upper Gallilee Festival and Israel Festival. 
Were broadcast on BBC London, CBC Cananda, Tokyo FM, NHK Japan, BNR Bulgaria, Warsaw Radio 2, Budapest National Radio, Radio New Zealand and Israel "Voice of Music".
Appeared with most Israeli leading orchestras amongst which; Jerusalem Symphony Orchestra, Israel Symphony Orchestra, Rishon Lezion, Israel Chamber Orchestra Tel Aviv, Israel Kibbuz Orchestra, Israel Sinfonietta Beer Sheva and others. 
Their CD releases feature the Symphonic Poems by Liszt with NAXOS Label in 2008 - which received claim in the music magazines Fanfare and Internationa Piano - and Rhapsodies for Two Pianos with Romeo Records Label in 2011.

Yuval Admony's performances of Enescu's 2 Piano Quartets in the Slowazki Theatre in Krakow were released with EMF Label in Salzburg. Also recorded the CD: "Towards 2000" for the Israeli Composers League in the Anthology: "Psanterin" - 100 years of Israeli composition for piano solo.

PILAR VALERO

Inicia sus estudios musicales en el Conservatorio Superior de Música de Murcia, donde recibe clases de Miguel Luis Losada y Anselmo de la Campa y obtiene el Título Profesional con Premio Extraordinario.

Posteriormente se traslada a Granada para realizar estudios de grado superior, bajo la dirección de Juan José Pérez Torrecillas, que fue alumno directo del gran pianista y pedagogo Eduardo del Pueyo, y que resulta decisivo en su formación.

En 1989 recibe el Tercer Premio de interpretación en el concurso "Juventudes Musicales" de Granada.

En 1991 recibe una beca del Gobierno Belga para ampliar estudios en el Conservatorio Royal de Mons (Bélgica), bajo la dirección de Patricia Montero, obteniendo en él un Primer Premio con distinción.

En Bélgica efectúa numerosos recitales en salas como L 'Atelier, L.R.D.C (Bruselas), Rodé Pompe (Gante), y Eugies (Quaregnon), recibiendo gran éxito de crítica. Desde entonces ha desarrollado una intensa actividad concertística, tocando en Italia, Alemania con el violonchelista Reimund Korupp), y Lubjiana, (donde realiza una grabación para la televisión eslovena) .

Como solista cabe destacar la interpretación de los Conciertos KV.466, KV.212 de Mozart, el Concierto n°3 en do m de Beethoven, y el Concierto de F.Poulenc, con la Orquesta de Jóvenes, la Orquesta de la Región de Murcia, y la Orquesta Sinfónica de Murcia, respectivamente. Ha realizado cursos de perfeccionamiento con: Fierre Hantai
(clave), C. Guinovart. Jan D' Haene (análisis y armonía), Blanca Uribe, P. Badura-Skoda, Emile Naumoff y con Aquiles del Vigne.
Ha impartido cursos en Montserrat, San Miguel de Salinas, Jumilla y Granada, estos dos últimos de interpretación pianística,

Desde 1993 forma parte del grupo de música contemporánea Concertus Novo, con el que ha grabado un C.D. con obras del compositor Manuel Seco. Asimismo graba actualmente un C.D. de música contemporánea española para violonchelo y piano con Reimund Korupp.

Ha sido invitada a participar como jurado en los concursos "San Bartolomeo di Mare", de Italia y "Carl Filtsch", de Rumania.
Forma dúo con el violonchelista Ramón Gómez y con el violinista Adrián Pinzaru.

En la actualidad estudia composición bajo la dirección de Javier Darias en la E.C.C.A. de Alcoy, e imparte clases en el Conservatorio Superior de Música de Murcia.


MICHAL TAL


The preeminent Israeli pianist Michal Tal enjoys a busy and versatile international career, performing throughout to great acclaim. She presents at her concerts "A breathtaking performance" (Tel Aviv) and "Imaginative fingers" (London).
Her numerous performances include recitals, performances with orchestra and chamber music as well as lecture concerts. She is also invited frequently to teach and give masterclasses as well as invitations to  judge in national and  international piano competitions, such as The Tchaikovsky conservatory (Moscow), the Beijing Conservatory, the HKAPA (Hong Kong),  Ecole Normal (Paris), the Birmingham Royal Conservatory, The Euro Arts festival (Halle, Germany), The university of New York, The Boston Conservatory, The New England Conservatory, Montclair university, the Primavera Pianistica piano festival, the Chethams piano festival, The piano festival in Tirana and the Musicfest Perugia Festival. 

This season she performed with the Jerusalem Camerata the Clara Schumann concerto for her 200 anniversary. Future performances  include concerts in Berlin and Essen, and a series with the Raanana Symphonette. Tal's huge repertoire expands from Haydn to Ligeti and Berio, along with numerous premieres  by Israeli composers.
Michal Tal is the prize winner of many competitions such as the first prize at the international competition in Dallas, the Jerusalem Symphony Competition first prize, the America-Israel Cultural Foundation and the ministry of education and culture prize, and the prestigious Rosenblum Prize for the performing arts.
Among Tal's discography are "Great Short Masterpieces for Piano" (ROMEO) and "Erwin Schulhoff Music for Piano Solo" (CENTAUR). She performed at Carnegie Recital Hall, The Tanglewood Festival, Lincoln Center "Focus" Festival, KÖLN Festival, The piano Festival in Gulangyu, Bangkok, Helsinki, Lubliana, Stockholm, The Israel Festival, The Felicia Blumental Festival, The Cerdanya music Festival, The Israel Festival and The Kefar Blum Chamber Music Festival. 
Michal Tal was born in Tel Aviv and started her piano lessons when she was five years old. At the age of sixteen she performed as a soloist with the Israel Philharmonic Orchestra. Since then she had  performed with all the leading orchestras in Israel, Europe and the U.S. such as the Virginia and Dallas Symphonies, the Strasbourg Philharmonic, the Munster Symphony and the Dutch Radio Orchestra.
She played under the baton of Leonard Slatkin, Eduardo Mata and Luciano Berio. She studied at The Tel Aviv Academy of music, Indiana University, The Juilliard School and State University of New York in Stony Brook. She studied with Prof. Arie Vardi, Richard Goode, and Gilbert Kalish. Among her coaches were Leon Fleischer, Peter Serkin, Julius Levinne, Janos Starker, James Buswell and Joel Krosnick. She received her PHD  at the Hebrew University in Jerusalem under the supervision of Prof. Jehoash Hirshberg.
Dr. Michal Tal is on the faculty of the Buchmann-Mehta School of music, and the Givatayim Conservatory, in which she served as a pedagogic director. Dr. Tal is the founder of EPTA Israel and from 2017 the artistic director of The Outstanding Young Piano program at the Jerusalem Music Centre . 





MAURO NADIR MATTEUCCI began studying piano at a very early age, and graduated from the “Gioacchino Rossini” Conservatory in Pesaro, under the guidance of Maestro Marco Cola. He attended courses in piano performance and interpretation, held by Michele Marvulli and Sergio Fiorentino, together with chamber music courses held by the Munich Trio and the Franco Gulli-Enrica Cavallo Duo.

He has won awards at various piano and chamber music competitions. He has held solo concerts, played in chamber music concerts both instrumental and for voices, and has also played with orchestras, in Italy, France and Spain. He has also made several radio broadcasts and recordings.

He is strongly interested in piano composition within a teaching context, and in 2001 he composed a cycle of studies for piano entitled Studi per pianoforte sulle mani alternate “Operauno”, subsequently published by Sinfonica Edizioni Musicali in Milan (distributed by Carish), the CD of which is also available. Furthermore, he composed a cycle of “chansons” for soprano and piano entitled “Écoute”, accompanying the words of the poet Philippe Jaccottet; this was subsequently reworked into a version for two pianos, to be used as an audio-track for an art event. He has also composed cadences for Mozart concertos, and has transcribed music for piano duos and for chamber ensembles with piano.

He has lived in the town of Città di Castello since 2002, and several times in the past he has contributed to the “Festival of Nations” (an international music festival) held each year in the town.

He has always been very active in the teaching field: he has taught both Piano and Chamber Music in diverse Italian conservatories, including those of Pesaro, Potenza, Cosenza and Cesena. He is currently Teacher of Piano (as a main instrument) at Perugia’s “Francesco Morlacchi” Conservatory.

He has held the post of Artistic Director of the “Fausto Polverini” National Music Competition held in Città di Castello, and of the associated Young Musicians Festival, both of which he himself created and established. Moreover, he has been the Artistic Director of the “Associazione Amici del Festival delle Nazioni” (the Friends of the Festival of Nations Association) once again based in Città di Castello.

In 2013 he jointly founded, and subsequently became Director of, the “Centro Studi Musicali della Valtiberina”, a centre for the teaching and production of music organised by the Associazione Amici della Musica, which operates in conjunction with Sansepolcro Council and Perugia’s “Morlacchi” Conservatory.

In 2017, Mauro Nadir Matteucci was appointed Artistic Director of the “Maria Giubilei” International Piano Competition, which has been held in the town of Sansepolcro for 18 years, and which he had previously cooperated with in the capacity of member of its awards panel.



He is a tireless promoter and organiser of events for young musicians, and is often invited to be a member of the awards panel at diverse national and international music competitions. He also holds piano masterclasses at the “Romagna-Tuscany Academy of Music” and at the aforementioned Centro Studi Musicali della Valtiberina.